10K Timelapse: 80-Megapixel Camera catches Urban Rio in Motion

time lapse favela task

No monitor on earth can fully do justice into the amazing standard of detail within sequence, but make sure to get full display when seeing within video clip, irrespective, to acquire a flavor associated with options. In addition to other metropolitan subjects, picking a a favela for one of these shots offered the professional photographer an opportunity to show-off what sort of location so abundant with variegated colors and textures could possibly be shown at various machines.


Each 80-megapixel picture (frames at 10328×7760 pixels) ended up being shot by John Capra to illustrate the capabilities of this PhaseOne IQ180 digital camera. These show had been shot while on an project in Brazil to do a series of 4K and 8K timelapses, but blow even those out from the water. Within the video clip, Capra keeps zooming directly into emphasize simply how much one can capture to discover.

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“i desired showing a few things with this specific demonstration video,” claims Capra.“First, the extreme resolution of this digital camera (and method format overall). Second, the amazing level of mobility this quality permits in post manufacturing. You are able to actually get about 8-10 solid 1920×1080 shots out of just one shot. You may also get about 5-6 solid 4K shots regarding a single chance.”

screenshot brazil favela zoom

screenshot at 100 percent

favela zoom final

“Each shot was really minimally processed and included curves, input sharpening, saturation alterations. The h264 compression truly eliminates alot of the details. No sound decrease had been done on the shots. I attempted maintain the shots as near to natural as you can so you might see some dirt places, noise, and manual exposure changes I made while shooting. For last video edit these changes could be smoothed on and fixed. Normally I run shots where we by hand alter publicity during the chance through LRTimelapse, regrettably the program can’t seem to deal with these types of huge raw files. In addition needed to loop some shots so that you can have sufficient runtime to complete some zooms, so you may experience a leap when you look at the video footage in some places.”

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